crumbling
colonial
regions
Prospect
Street
side door
stairway up
Congdon
Street
WARD MANSION
Prospect
Street
rear
windows
WARD MANSION
classic
porch
Jenkes & Congdon
Jenckes Street
Barnes & Prospect
dining room

(see The Halsey House, 140 Prospect Street, at the excellent H. P. Lovecraft Archive)

"And at last the little white overtaken farmhouse on the right, on the left the classic Adam porch and stately facade of the great brick house where he was born. It was twilight, and Charles Dexter Ward had come home."

"Charles Ward was an antiquarian from infancy, no doubt gaining his taste from the venerable town around him, and from the relics of the past which filled every corner of his parents' old mansion in Prospect Street on the crest of the hill."

"...he had begun his junior year at the Moses Brown School, which lies very near his home."

"His home was a great Georgian mansion atop the well-nigh precipitous hill that rises just east of the river; and from the rear windows of its rambling wings he could look dizzily out over all the clustered spires, domes, roofs, and skyscraper summits of the lower town to the purple hills of the countryside beyond. Here he was born, and from the lovely classic porch of the double-bayed brick facade his nurse had first wheeled him in his carriage; past the little white farmhouse of two hundred years before that the town had long ago overtaken, and on toward the stately colleges along the shady, sumptuous street, whose old square brick mansions and smaller wooden houses with narrow, heavy-columned Doric porches dreamed solid and exclusive amidst their generous yards and gardens."

"He had been wheeled, too, along sleepy Congdon Street, one tier lower down on the steep hill, and with all its eastern homes on high terraces. The small wooden houses averaged a greater age here, for it was up this hill that the growing town had climbed; and in these rides he had imbibed something of the colour of a quaint colonial village. The nurse used to stop and sit on the benches of Prospect Terrace to chat with policemen; and one of the child's first memories was of the great westward sea of hazy roofs and domes and steeples and far hills which he saw one winter afternoon from that great railed embankment, all violet and mystic against a fevered, apocalyptic sunset of reds and golds and purples and curious greens. The vast marble dome of the State House stood out in massive silhouette, its crowning statue haloed fantastically by a break in one of the tinted stratus clouds that barred the flaming sky."

"...spending half a walk in the crumbling colonial regions northwest of his home, where the hill drops to the lower eminence of Stampers' Hill with its ghetto and negro quarter clustering round the place where the Boston stage coach used to start before the Revolution..."

"Mrs. Ward, rising and going to the window, saw four dark figures removing a long, heavy box from a truck at Charles's direction and carrying it within by the side door."

"Willett speaks with authority, for he was often at the Ward home attending Mrs. Ward, whose nerves had begun to snap under the strain." -- The Case of Charles Dexter Ward